Night Windows and Testy Dates...
I cant put into words how amused I am by people who so high-handedly review books, movie and other pieces of art as if they owned the item. They simply forget that they do it for a living.In my experience most of them are boring talentless pseud-wankers. And chances are you cant find an iota of original creativity inside even if you squeeze them out upside down. And they shamelessly spill their shenanigans all when they havent even seen anything similar to life.
The last blog reminded me of a friend who always made it a point to take his date on a cinema and ask her what she thought. The catch was a) No references to actors, directors etc ( pseudo-clichéd sentences like I think Mullick’s shot are meditative or Tarantino’s scripts are evolving etc) b) No criticism. Which meant the movie had to be explained from her perspective alone, then and there. Of course it was all done subtly without putting her in a spot. His theory was that the little exercise saves money, time and chances of having a heart attack in later life. And I wholeheartedly agree.
Anyway, Here's a marvellous painting and equally wonderful words by Edward Hopper. And I don’t have to tell you; the words come from someone who knows about life.
The last blog reminded me of a friend who always made it a point to take his date on a cinema and ask her what she thought. The catch was a) No references to actors, directors etc ( pseudo-clichéd sentences like I think Mullick’s shot are meditative or Tarantino’s scripts are evolving etc) b) No criticism. Which meant the movie had to be explained from her perspective alone, then and there. Of course it was all done subtly without putting her in a spot. His theory was that the little exercise saves money, time and chances of having a heart attack in later life. And I wholeheartedly agree.
Anyway, Here's a marvellous painting and equally wonderful words by Edward Hopper. And I don’t have to tell you; the words come from someone who knows about life.
In every artist's development the germ of the later work is always found in the earlier. T'he nucleus around which the artist's intellect builds his work is himself; the central ego, personality, or whatever it may be called, and this changes little from birth to death. What he was once, he always is, with slight modification. Changing fashion in methods or subject matter alters him little or not at all.
~Edward Hopper.
Painting- Night Windows, Edward Hopper 1928, Museum of Modern Art, New York.
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